This week we were using colours and we focused on the light and dark contrasts within the figure. I feel like I need to force myself to not outline everything when drawing as this tends to flatten the image. I also believe that learning edge control and form building will defiantly help me improve on my draftsmanship and my confidence. I look forward to doing more next term, in the meantime I am still waiting upon Scott Robertson's book......
Thursday, 28 November 2013
Zoetrope animation
Zoetrope animation, a quick morph of objects associated with christmas :). I am happy with the outcome, I was going to do a fourth morph but I feel it wouldn't work too well on the zoetrope so I decided to my make my morphs slower so the transitions are smoother.
Tuesday, 26 November 2013
Autodeask Maya: Old Alleyway Scene - Modelling
Monday, 25 November 2013
Film Review: Edward Scissorhands
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| (Fig 1, Edward Scissorhands, Poster) |
Tim Burton's film Edward Scissorhands (1990) was one of his most renowned films with lead actor Johnny Depp playing Edward. Edward Scissorhands could be argued that it gave you an insight into the world of Burton's childhood. Edward was heavily influenced upon how Burton had felt within his life - the outsider, the misunderstood. Although asperges was not recognized until 1940, according to Helena Bonham Carter had said in an interview: ''I realised he has a bit of Asperger's in him. You start recognising the signs. We were
watching a documentary about autism and he said that was how he felt as a
child.''( Carter, 2010). The film was created show his seperation from society and showing the world through another perspective. It had created an iconic figure for individuality and to stand out among the crowds through one character alone - Edward. This is one of the most iconic figures of today and has had a huge influence upon the fashion scene and it had all started from a drawing from his childhood (Fig. 2).
| (Fig 2. Edward Scissorhand original illustration). |
Throughout the film the separation between worlds with Edward and his surroundings is obviously represented through character, but also through scenery too. The film is set in a suburban American town and in the 1950's to 60's. When introduced to the film we are given a one point perspective shot showing the two extreme's of Edward's house and the surrounding area (Fig 3).
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| (Fig 3, Edward Scissorhands, Film still) |
Although Tim Burton is not known for one the use of one point perspective, Stanley Kubrick is and known famously for the use of these techniques. As Lauren Davis had said whilst analyzing Kubrick's techniques: ''One thing that makes Kubrick's movies so unusual is his heavy use of
one-point perspective, to focus in on a single character or object, and
often to create a sense that we are trapped within the scene rather than
merely watching it.''(Davis, 2012). Furthermore this could be argued that we as an audience are trapped within the scene and feeling the emotions that Edward is feeling. Not only is Edward physically trapped within the castle and 'locked' away from the outside world but he is also emotionally trapped inside a body that no one understands, as an audience we are given that understanding which therefore allows us to relate to Edward.
Altogether throughout the film there seems to be a constant clash between the two opposites, even in the times where he is accepted as part of the 'normal' community he is seen as being used for his abilities rather than being acknowledged for who he is. This was a film which Tim Burton wanted you to see through his eyes in a fantasy environment. With the fantastic set design and character development you can clearly see Tim Burton had payed close attention to all the little details to get across this complexity of messages for the audience to embrace.
Bibliography:
(Carter, 2010), Mr and Mrs Mad Hatter, Daily Mail [Article]. URL:
http://www.dailymail.co.uk/tvshowbiz/article-1253885/Mr-Mrs-Mad-Hatter-The-strange-world-Helena-Bonham-Carter-Tim-Burton.html (Accessed 25.11.2013)
Bibliography:
(Carter, 2010), Mr and Mrs Mad Hatter, Daily Mail [Article]. URL:
http://www.dailymail.co.uk/tvshowbiz/article-1253885/Mr-Mrs-Mad-Hatter-The-strange-world-Helena-Bonham-Carter-Tim-Burton.html (Accessed 25.11.2013)
(Davis,
2012), How obsessed was Stanley Kubrick obsessed with one point perspective?
[Online Blog], at URL: http://io9.com/5939802/just-how-obsessed-was-stanley-kubrick-with-one+point-perspective-watch-this-video-to-find-out
(Accessed, 25.11.2013)
Illustration list:
Fig 1, Edward Scissorhands (1990) [Poster], URL: https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv6uT7aYNZbIqarXsfEbaeGXiY-hd8blNwMHVoiz0tYsPgy0-4nWZEUjLklnj2V4MOduis6yi91QHoxWTuNwrBeGFb_8o7BCf3hqv-Tto5gpFacYp4YF0EiLIpj6Xdd_dpmVPME8fX8Ts/s1600/ES+poster.jpeg
(Accessed 25.11.2013)
Fig 2. Edward Scissorhands (1990), Original illustration [Illustration],
at URL: http://www.stylenoir.co.uk/wp-content/uploads/2011/06/Edward-Scissorhands-tim-burton-original-illustration.jpg
(Accessed on 25.112013)
Fig 3. Edward Scissorhands (1990), Directed by Tim Burton, [Film Still]. at URL: https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKwJkqb-mNTcrpc52nPW_8eea9lzkk4jGQ6S_JZlcUFjUmmFQ0e9sGQNFWp7jM0mwmvMNNM6Ia7HrYKEaeNU2PUqmAimEFt2Gqaf3Pci36rIH_Jyyddbt9xkZxn7rtznzX-9bRFa0DVx9L/s320/esc_014Neighborhood.jpg. (Accessed on 25.11.2013)
Fig 3. Edward Scissorhands (1990), Directed by Tim Burton, [Film Still]. at URL: https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKwJkqb-mNTcrpc52nPW_8eea9lzkk4jGQ6S_JZlcUFjUmmFQ0e9sGQNFWp7jM0mwmvMNNM6Ia7HrYKEaeNU2PUqmAimEFt2Gqaf3Pci36rIH_Jyyddbt9xkZxn7rtznzX-9bRFa0DVx9L/s320/esc_014Neighborhood.jpg. (Accessed on 25.11.2013)
Film Review: La Belle et la Bête
| (Fig 1: La Belle et la Bête Poster) |
| (Fig. 2: La Belle et la Bête, Production Art) |
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| (Fig 4, La Belle et la Bête, film still) |
The film is highly influential from the original production art created for the sets as you can see in Figure 2. Cocteau had commended Beard on his influence upon the film as they worked together and from the concept and production art you can see a direct correlation to the costumes, lighting and the interior of the beast's castle. The film itself represents the artists visions when designing the sets with the gleaming white curtains and overall design of the house.
Produced in 1946 after World War Two this was hugely success with it's sense of escapism for the audience as this allowed the audience to break free from the reality of their tragedies and indulge themselves in a magical land. This was said in a written review by Frocktalk,“La Belle et La Bête is a soothing balm of a fairy tale, engendering hope in the promise of new beginnings and restoring faith in the compassionate spirit of humankind. It is a story about breaking free from imprisonment and breaking forth into freedom. It was a message that people needed to hear then''(Frochtalk, 2009). This can be seen in the film where Belle falls in love with the beast after being 'imprisoned' by him but this also gave her a chance of a new beginning with a better life.
| (Fig 5,La Belle et la Bête, Film still) |
| (fig 6, La Belle et la Bête, Film still) |
To help this sense of escapism within his film, Cocteau wanted to produce something out of the ordinary. This is shown with statues that are living and breathing (Fig 5) and candles being held with prosthetic limbs (fig 6). It is clear that he had put a lot of thought into each element: set design, costumes, plot etc. Altogether this is a film with great designs and a very strong underlining meaning to the film that was highly thought about at the time of production.
Bibliography:
(Wilmington, 2002), La Belle et la Bête film review.
URL: http://articles.chicagotribune.com/2002-09-06/entertainment/0209060033_1_beast-josette-day-magical.
(Accessed on 22.11.2013)
(Frocktalk, 2009) La Belle et la Bête film review. URL: http://frocktalk.com/?p=1520
(Accessed on 22.11.2013)
Illustration List:
Fig. 1: La Belle et la Bête Poster Art (1946), From: La Belle et la Bête, directed by: Jean Cocteau. [Poster] At: http://theredlist.fr/wiki-2-20-777-786-view-1940-1950-profile-1946-bbeauty-and-the-beast-la-belle-et-la-bete-b-j-cocteau-c-berard-l-carre-r-moulaert.html(Accessed on 22.11.2013)
Fig. 2: Drawing by Christian Beard (1946), For: La Belle et la Bête, directed by: Jean Cocteau [Drawing]. At: http://theredlist.fr/media/database/settings/cinema/1940-1950/beauty-and-the-beast/023-beauty-and-the-beast-theredlist.jpg (Accessed on 22.11.2013)
(Frocktalk, 2009) La Belle et la Bête film review. URL: http://frocktalk.com/?p=1520
(Accessed on 22.11.2013)
Illustration List:
Fig. 1: La Belle et la Bête Poster Art (1946), From: La Belle et la Bête, directed by: Jean Cocteau. [Poster] At: http://theredlist.fr/wiki-2-20-777-786-view-1940-1950-profile-1946-bbeauty-and-the-beast-la-belle-et-la-bete-b-j-cocteau-c-berard-l-carre-r-moulaert.html(Accessed on 22.11.2013)
Fig. 2: Drawing by Christian Beard (1946), For: La Belle et la Bête, directed by: Jean Cocteau [Drawing]. At: http://theredlist.fr/media/database/settings/cinema/1940-1950/beauty-and-the-beast/023-beauty-and-the-beast-theredlist.jpg (Accessed on 22.11.2013)
Fig. 4. La Belle et la Bête film still (1946) From: La Belle et la Bête, directed by: Jean Cocteau. [Film Still] At: http://dudummesau.com/2011/09/11/klaus-kinski-call-me-beast/ (Accessed on 22.11.2013)
Fig 5,La Belle et la Bête, Film still (1946), From: La Belle et la Bete, directed by Jean Cocteau. [Film Still] At: http://www.gwarlingo.com/2012/jean-cocteau-beauty-and-the-beast/
Fig 6,La Belle et la Bête, Film still (1946), From: La Belle et la Bete, directed by Jean Cocteau. [Film Still] At: http://www.gwarlingo.com/2012/jean-cocteau-beauty-and-the-beast/
Fig 5,La Belle et la Bête, Film still (1946), From: La Belle et la Bete, directed by Jean Cocteau. [Film Still] At: http://www.gwarlingo.com/2012/jean-cocteau-beauty-and-the-beast/
Fig 6,La Belle et la Bête, Film still (1946), From: La Belle et la Bete, directed by Jean Cocteau. [Film Still] At: http://www.gwarlingo.com/2012/jean-cocteau-beauty-and-the-beast/
Wednesday, 20 November 2013
Life Drawing: 20.11.13
Today we were working in colour using paints and soft pastels. I love traditional painting I just need to practice more on it as I haven't painted traditionally for a long time now and it shows! It also makes me appreciate just how easy it is to get good colours when working digitally in comparison to using real paint. Still need to practice on my anatomy skills, but I feel more confident in drawing the figure now :)
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